Thackeray and Form of Fiction

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A01=John Loofbourow
Adventure fiction
Age Group_Uncategorized
Age Group_Uncategorized
Allegory
Allusion
Antihero
Author_John Loofbourow
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Biography
Burlesque
Byronic hero
Category1=Non-Fiction
Category=DSBF
Category=DSK
Changeless (novel)
Chivalric romance
Conceit
COP=United States
Crime fiction
D. H. Lawrence
Decorum
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Despair (novel)
Dulcinea del Toboso
E. M. Forster
Epic and Novel
Epic poetry
Epithet
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Evocation
Fairy tale
Fiction
Francois Rabelais
Genre fiction
George Eliot
George Meredith
Guinevere
Historical fiction
Homer
Horace
Horace Walpole
Irony
Juvenal
Language_English
Lord Byron
Lucretius
Melodrama
Misery (novel)
Narcissism
Narrative
Novel
Novel of manners
Novelist
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Parody
Pendennis
Poetry
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Promiscuity
Prose
Prudentius
PS=Active
Pseudonym
Psychomachia
Pun
Rhetoric
Ridicule
Romanticism
Satire
Satires (Juvenal)
Sentimental novel
Sentimentalism (literature)
Sentimentality
softlaunch
Superiority (short story)
Suspension of disbelief
The Book of Snobs
The Dunciad
The Newcomes
The Newgate Calendar
Vanity Fair (novel)
Victor Hugo
Virgil
Virginia Woolf
Writer

Product details

  • ISBN 9780691651255
  • Weight: 510g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In a critical examination of Thackeray's style, Mr. Loofbourow shows how Thackeray "hybridized" the genre of the romance by adapting the tone and language of the epic, the chivalric romance, and the pastoral, and by carrying parody and satire to a high technical level. Thackeray used these techniques with particular success in Vanity Fair and Henry Esmond. Besides analyzing these two works, Mr. Loofbourow discusses the significance of epic in the 19th century, the expressive values of the novel as a whole, and the relevance of Thackeray's methods to the work of such writers as George Eliot, Henry James, Virginia Woolf, and E. M. Forster. His book is an attempt to come to terms with Thackeray's style, and a work conceivably destined to become a landmark among the very few acceptable studies of English fiction. It should prove indispensable to anyone interested in style in fiction, and should at the same time precipitate a new trend in Thackeray scholarship. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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