Thanatourism and Cinematic Representations of Risk

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A01=Rodanthi Tzanelli
African Aesthetic Traditions
African Outsider
African Present
Artistic Pilgrimages
Author_Rodanthi Tzanelli
Bang Bang Club
Category=ATFA
Category=JB
Category=JBCT
Category=JHB
Category=KNS
cinematic risk narratives in tourism
Cinematic Tourist
Contemporary Societies
Cosmetic Cosmopolitanism
cultural sociology
Dark Tour
dark tourism studies
Digital Red
disaster risk management
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
Global African Diaspora
globalisation and aesthetics
Good Life
Heritage Entropy
Human Suffering
identity politics migration
Integrated Supply Demand
mobilities theory
Naturalised Poverty
Papa Legba
Post-apocalyptic Films
postcolonial film analysis
Prot Agonists
Risk Policy Makers
Science Fiction Dystopias
Slum Tourist
thanatourism
Tzanelli 2013a
Western Industrial Systems
Zombie Plagues

Product details

  • ISBN 9780367877583
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In today’s world, the need to eliminate natural and human-made disasters has been at the forefront of national and international socio-political agendas. The management of risks such as terrorism, labour strikes, protests and environmental degradation has become pivotal for countries that depend on their economy’s tourist sector. Indeed, there is fear that that ‘the end of tourism’ might be nigh due to inadequate institutional foresight. Yet, in designing relevant policies to tackle this, arts such as that of filmmaking have yet to receive due consideration.

This book adopts an unorthodox approach to debates about ‘the end of tourism’. Through twenty-first century cinematic narratives of symbolically interconnected ‘risks’ it considers how art envisages the future of humanity’s well-being. These ‘risks’ include: migration as an infectious disease; alien incursions as racialized labour mobilities; cyborg rebellion as the fear of post-colonial otherness; and zombie anthropophagy as the replacement of rooted identities by nomadic lifestyles.

Such filmic scenarios articulate the futuristic survival of community as the triumph of the technological human over otherness, and provide a means to debate societal risks that weave identity politics into unequal mobilities. This book will appeal to researchers and students interested in mobilities theory, tourism and travel theory, film studies and aesthetics, globalisation studies, race, labour and migration.

Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK. Her research interests include globalisation, cosmopolitanism and mobility, with emphasis on tourism, migration, social movements and art theory. She is author of over 60 articles and another eight monographs, including 'Mobility, Modernity and the Slum: The Real and Virtual Journeys of Slumdog Millionaire' (2015).

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