That Toddlin' Town

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1920s recording industry in Chicago
1930s recording industry in Chicago
A01=Charles A. Sengstock
Author_Charles A. Sengstock
bandleaders
big band history
big band orchestras
big band venues
big band venues in Chicago
big bands and radio
big bands and radio history
big bands in Chicago
booking agencies
business history
business of band music
Category=AVL
Category=NHK
Chicago bandleaders
Chicago big band jazz
Chicago big band orchestras
Chicago dance band music
Chicago dance bands
Chicago entertainment media
Chicago Federation of Musicians
Chicago music industry
Chicago nightclub history
Chicago nightclub jazz
dance bands
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
history of big band music
history of Chicago Federation of Musicians
history of Chicago music business
history of Chicago music industry
history of Chicago music venues
history of Chicago nightclubs
history of the music business in Chicago
nightclub bands
performers
popular Chicago bandleaders

Product details

  • ISBN 9780252029547
  • Weight: 594g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2004
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
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In the 1920s and 1930s, Chicago became a center for jazz and blues, vaudeville, and a budding recording industry. Not surprisingly, the city and its environs spawned and nurtured a sprawling scene of nationally recognized dance bands and orchestras.

That Toddlin' Town focuses on the untold history of Chicago's white dance bands, theater orchestras, radio studio ensembles, and nightclub bands. Charles A. Sengstock Jr. draws on monumental research to portray the bands not only in terms of their music but also in the context of the venues in which they played and Chicago's volatile economic and social climate. Viewing the bands as parts of an economic system, he analyzes them as businesses facing all the usual pressures brought on by ambition, personality clashes, financial realities, and the overriding need to serve clients. He also examines how the bands--along with their charismatic leaders, powerful booking agencies, and the Chicago Federation of Musicians--impacted the music industry at large and influenced other entertainment media.

Charles A. Sengstock Jr. is the author of Jazz Music in Chicago's Early South-Side Theaters.

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