Aesthetics of Image and Cultural Form

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1960s
A01=Yi Chen
aesthetics
affect
affective aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_Yi Chen
automatic-update
avant garde
avant-garde art practices
Britain
Category1=Non-Fiction
Category=ABA
Category=AC
Category=AGA
Category=HPN
Category=JBCC
Category=JFC
Category=QDTN
COP=United Kingdom
Delivery_Pre-order
Edward Wright
England
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
formal experimentation in 1960s London art
formalist
formalist analysis
International Union of Architects
John McHale
Language_English
London
mass culture
mass media
mass media studies
methodology
op art
PA=Temporarily unavailable
painters
paintings
politics
pop art
popular culture
Price_€100 and above
PS=Active
research
Richard Hamilton
Richard Smith
Robert Brownjohn
Robyn Denny
Roland Barthes
sensory perception research
softlaunch
theory
United Kingdom
urban
visual art
visual culture
visual culture theory
Walter Benjamin

Product details

  • ISBN 9781032379241
  • Weight: 460g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Apr 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Offering an alternative mode of visual cultural analysis to the prevalent discursive model, this book proposes to situate analysis of Image within ‘formal’ analyses of culture experience.

Specifically, the discussion draws on theories of affective aesthetics with the view of addressing the sensual form of culture (i.e. ‘cultural form’). Therefore, the volume puts forward a mode of formalist analysis in visual cultural research which takes purchase on the idea of ‘cultural form’. A continuum of formalist attention between Image analysis (visual media, industrial design) and probing of ‘cultural forms’ establishes the theoretical underpinning of the book. These concepts are expounded through a case study which looks at formal experimentations and debates arising from 1960s avant-garde artistic practices in London.

Yi Chen is a Senior Lecturer in Contextual and Theoretical Studies at University of the Arts London.

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