Ages of Man

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A01=Elizabeth L. Sears
A01=Elizabeth Sears
Aeneid
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Ages of Man
Alfred of Sareshel
Allegory
Analogy
Aphorism
Astrology
Author_Elizabeth L. Sears
Author_Elizabeth Sears
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Biblical Magi
Book of hours
Byrhtferth
Calcidius
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Church Fathers
Classical element
Computus
Convivio
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Deity
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Dieu
Dracontius
Eadmer
Early Middle Ages
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Erwin Panofsky
Etymology
Famulus
Fourth Age
Handbook
Herman of Carinthia
High Middle Ages
Hippocratic Corpus
Honorius Augustodunensis
Humour
Iconography
Illustration
Isagoge
Isidore of Seville
Language_English
Late Antiquity
Liber Floridus
M. R. James
Macrobius
Macrocosm and microcosm
Martianus Capella
Mendicant orders
Middle Ages
Miscellany
Month
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Old Testament
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Phlegm
Pierre Bersuire
Poetry
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Prudentius
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Pythagoreanism
Quadrivium
Scholasticism
Septenary (Theosophy)
Six Ages of the World
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Tertullian
Tetrabiblos
The First Man
The Months
The Three Ages of Man (Titian)
The Various
Thought
Three-age system
Trivium
V.
Victorinus of Pettau
William de Brailes
William of Conches
Writing
Year

Product details

  • ISBN 9780691657011
  • Dimensions: 203 x 254mm
  • Publication Date: 19 Feb 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Elizabeth Sears here combines rich visual material and textual evidence to reveal the sophistication, warmth, and humor of medieval speculations about the ages of man. Medieval artists illustrated this theme, establishing the convention that each of life's phases in turn was to be represented by the figure of a man (or, rarely, a woman) who revealed his age through size, posture, gesture, and attribute. But in selectiing the number of ages to be depicted--three, four, five, six, seven, ten, or twelve--and in determining the contexts in which the cycles should appear, painters and sculptors were heirs to longstanding intellectual tradtions.
Ideas promulgated by ancient and medieval natural historians, physicians, and astrologers, and by biblical exegetes and popular moralists, receive detailed treatment in this wide-ranging study. Professor Sears traces the diffusion of well-established schemes of age division from the seclusion of the early medieval schools into wider circles in the later Middle Ages and examines the increasing use of the theme as a structure of edifying discourse, both in art and literature.
Elizabeth Sears is Assistant Professor of Art History at Princeton University.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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