Anxiety of Ascent

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19th century
20th century
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America
anxiety
ascent
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bourgeois identity
Buddenbrooks
Burger Chef
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Classic Bourgeois Form
comparative social analysis
consumer
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Cosmopolitan Bourgeoisie
cultural sociology
Debt and Credit
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Deutsche Bund
Die Gartenlaube
disenchantment
Domestic Comedies
DVD Sale
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eq_biography-true-stories
eq_history
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eq_nobargain
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Errant Tendencies
everyday life
Father Knows Best
German bourgeois ideal
German Middle Class
German nationalism
Germany
Good Life
Gustav Freytag
Human Suffering
Ideal Type Comparisons
key texts
Language_English
Late Bourgeois World
Mad Men
Max Weber
meaning
mid-twentieth-century American life
middle class
middle class cultural transformation
middle-class cultural anxiety
morality
morality and meaning
narratives
Nielsen Polls
nineteenth century
optimistic
Overarching Institutional Structure
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Prime Time Soap Operas
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redemptive
Routinised White Collar Work
Secular Capitalistic Modernity
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social theory
Society and Culture
softlaunch
Spurious Class
Thomas Buddenbrook
Thomas Mann
twentieth century
US
USA
value
Weberian disenchantment
Western cultural decline
Working Capital
Young Man

Product details

  • ISBN 9781138577299
  • Weight: 406g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This intriguing book re-evaluates a narrative of cultural decline that developed in the wake of Max Weber’s The Protestant Ethic and the Spirit of Capitalism. For Weber, and a group of influential sociologists that followed, Western modernity is marked by growing disenchantment with the beliefs and values that had previously given a sense of structure and meaning to life. Despite its unparalleled material achievements, the modern West in this reading is suffering from a crisis of meaning and is no longer able to provide authoritative answers to the only really important question: ‘What shall we do and how shall we live?’

This book examines two influential responses to this question: the German bourgeois ideal of the late nineteenth century and the mid-twentieth century American celebration of the middle class. In each period, the exploration is guided by a close reading of a contemporary and retrospective text. For Germany, Gustav Freytag’s novel Debt and Credit (1855) is read against Thomas Mann’s Buddenbrooks (1901), and, for the US, the domestic comedy Father Knows Best (1954–1960) is read against the cable television drama Mad Men (2007–2015). The Anxiety of Ascent casts Weber’s narrative in a more optimistic light, pointing towards the redemptive possibilities contained within everyday life. As such, it will appeal to sociologists and cultural studies scholars interested in cultural sociology, social theory, morality, meaning and the culture of middle-class life.

Scott Doidge is a teaching associate in Sociology at the University of Melbourne, Australia.

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