Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries

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A01=David Bjork
A01=Richard Crocker
Age Group_Uncategorized
Age Group_Uncategorized
Aquitanian
Aquitanian Kyrie
Aquitanian Kyrie Repertory
Aquitanian Repertory
Author_David Bjork
Author_Richard Crocker
automatic-update
Category1=Non-Fiction
Category=JB
Category=JF
Category=JHB
Centuries
Christe Eleison
Christe Redemptor
Christe Supplices
COP=United Kingdom
David A. Bjork
Delivery_Pre-order
Earliest Aquitanian
Eleventh
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Final Phrase
Focal Pitch
Interior Cadences
Kyrie
Kyrie Eleison
Kyrie Melody
Kyrie Texts
Language_English
Latin Kyrie Texts
Magne Domine
Melismatic Notation
Melismatic Version
Miserere Domine
PA=Temporarily unavailable
Phrase Shapes
Price_€20 to €50
Primary Tonal Structure
PS=Active
Rector Aeterne
Repertory
Richard L. Crocker
Secondary Focal Point
Secondary Tonal Structure
softlaunch
Tenth
Tonal Structure
Trope Phrases

Product details

  • ISBN 9781138707801
  • Weight: 750g
  • Dimensions: 174 x 246mm
  • Publication Date: 11 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book was published in 2003. One of the most important but least studied of medieval chant repertories is that of the Kyrie. With their Latin texts, Kyrie melodies represented musical ambitions manifested alongside of and subsequent to Gregorian chant - ambitions which achieved stylistic and formal distinction. This study illuminates those features of the early Kyrie that give it its distinctive character and set it apart not only from Gregorian chant but also from other types of medieval chant. The repertory focused on in this book is a group of 22 West Frankish sources which are believed to have originated in several Aquitanian locations. The tradition represented by these manuscripts and their repertory of Kyrie melodies can be followed across a century and a half, from 950 to 1100. The Aquitanian manuscript tradition is significant because these sources represent by far the largest group of closely inter-related musical sources from the period, and the musical notation gives reliable indication of pitch up to a century earlier than other manuscripts of the time.

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