Arabesque from Kant to Comics

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A01=Cordula Grewe
aesthetics
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Albrecht Durer
Alte Pinakothek
arabesque
art
art history
Author_Cordula Grewe
automatic-update
Baroque
Beethoven
book illustration
Category1=Fiction
Category1=Non-Fiction
Category=ACQ
Category=ACV
Category=ACVC
Category=AGA
Category=DS
Category=FX
Category=HBG
Category=HBJD
Category=HBLL
Category=HPN
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Category=NHD
Category=QDTN
Category=XAK
comics
COP=United Kingdom
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Dense
early comic strip origins
eighteenth century
eq_art-fashion-photography
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eq_biography-true-stories
eq_fiction
eq_graphic-novels-manga
eq_history
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Fairy Tale
Follow
Fresco
Georg Wilhelm Friedrich Hegel
German Romanticism aesthetics
Germany
Giorgio Vasari
Held
Immanuel Kant
intermediality studies
Kindred
Language_English
literary theory
Ludwig Tieck
Marginal Drawing
Neue Pinakothek
nineteenth century
nineteenth-century illustration
ornament
ornamental art history
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Peter Cornelius
Philadelphia Museum
philosophy
Price_€20 to €50
Pristine
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Reborn
Romanticism
satirical visual culture
Smooth
softlaunch
Staatliche Graphische Sammlung
Timeless
Twilight
Vasari
Violated
visual culture
visual narrative theory
Wilhelm Schadow
Wilhelm Von Schadow
Young Man

Product details

  • ISBN 9781032043708
  • Weight: 760g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The Arabesque from Kant to Comics tracks the life and afterlife of the arabesque in its surprising transformation from an iconoclastic literary theory of early German Romanticism to aesthetic experimentation in both avant-garde art and popular culture.

Its explosive growth in popularity was followed by an inevitable taming as arabesques became staples in book illustration, poetry publications, and even the decoration of printed scores. The subversive potential of the arabesque was preserved in one of its most surprising offspring, the comic strip: born at the moment when the cholera pandemic first swept through Europe, the comic translated the arabesque’s rank growth into unnerving lawlessness and sequences of contagious visual slapstick. Focusing roughly on the period between 1780 and 1880, this book illuminates the intersecting histories of avant-garde theories of writing, visual culture, and even the disciplinary origins of art history. In the process, it explores media history and intermediality, social networks and cultural transfer, as well as the rise of new and nontraditional art forms.

This book will be of particular interest to scholars of art history, intellectual history, European art, aesthetics, book illustration, material culture, reproduction, comics, and German history.

Cordula Grewe is Professor of Art History at Indiana University Bloomington, USA.

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