Art and Thought of John La Farge

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Adams's Virgin
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American cultural identity
American Renaissance
Artistic Facture
authenticity in visual representation
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Barbizon Painters
Bowdoin College Museum
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Century Illustrated Monthly Magazine
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Gilded Age America
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Harris Brisbane Dick Fund
High Artistic Modernism
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James's Heroine
La Farge
La Farge's Work
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Late Nineteenth Century Paris
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mass media influence
modernist artistic critique
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Nineteenth Century American Art
Nineteenth Century American Painter
nineteenth-century art theory
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Palazzo Nuovo
Paul Gauguin
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Suger's Windows
visual perception philosophy
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Product details

  • ISBN 9781032926087
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The Art and Thought of John La Farge: Picturing Authenticity in Gilded Age America offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and opens a window onto nineteenth-century American culture. The book reveals how the work of John La Farge contributed to a rich philosophical dialogue concerning the trustworthiness of human perception. In his struggle against a 'common truth' of iconic symbols presented by a new mass visual culture, La Farge developed a subversive approach to visual representation that focused attention not on the artwork itself, but on the complex, real encounter of artist, subject and medium from which the artwork came. Katie Kresser charts La Farge's efforts to assert his own reality - his own intrinsic uniqueness - in a postwar society that increasingly based personal identity on standardized vocational labels and economic productivity. La Farge's work is contrasted with that of Kenyon Cox, James Whistler and Henry Adams, all of whom (for La Farge) had fallen prey to the crass new visual environment - albeit in very different ways. This innovative study suggests that La Farge dealt with issues still relevant in a world characterized by ubiquitous mass media and the proliferation of 'normative' visions.
Katie Kresser is an Associate Professor of Art History at Seattle Pacific University. Her research interests include Gilded Age visual culture, art theory and historiography and the relationship of art to religion and spirituality. Her art-historical and critical essays have appeared in diverse journals, including American Art, Image and The Other Journal.

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