Art Song in East Asia and Australia, 1900 to 1950

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Alexander Tcherepnin
Alfred Hill
Art Song
Australian Composers
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B01=Alison McQueen Tokita
B01=Joys H. Y. Cheung
Category1=Non-Fiction
Category=AVGC
Category=AVGE
Category=AVLA
colonial music history
COP=United Kingdom
Cradle Song
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Dorian Le Gallienne
early twentieth century vocal repertoire
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Folk Song
Hindemith
Japanese Composers
Japanese Songs
Korean Composer
Korean Music
Language_English
Matsudaira Yoritsune
musical modernity
national identity in music
National Language
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Paul Hindemith
Pentatonic Scales
Piano Accompaniment
piano accompaniment research
poetry and song analysis
Price_€20 to €50
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School Song
softlaunch
Tiger Beetle
Traditional Korean Music
transnational musicology
Walter De La Mare
Xiao Youmei
Young Men
Yun Isang
Zhao Yuanren

Product details

  • ISBN 9781032321660
  • Weight: 480g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.

Alison McQueen Tokita is Guest Professor, Kyoto City University of Arts, and Adjunct Researcher, Monash University, Australia.

Joys H. Y. Cheung is Assistant Professor at the Graduate Institute of Ethnomusicology, National Taiwan Normal University, Republic of China.