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Avenging-Woman On-Screen
A01=Lara C. Stache
A01=Rachel D. Davidson
A01=Rachel Davidson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Lara C. Stache
Author_Rachel D. Davidson
Author_Rachel Davidson
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avenging-woman feminism
avenging-woman film
avenging-woman television
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=GTC
Category=JBSF1
Category=JFSJ1
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
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eq_nobargain
eq_non-fiction
eq_society-politics
feminism popular culture
feminist characters on-screen
feminist media studies
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
superheroines
women in film
women in television
women seeking revenge
Product details
- ISBN 9781666915556
- Weight: 467g
- Dimensions: 160 x 240mm
- Publication Date: 10 Oct 2023
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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In The Avenging-Woman On-Screen: Female Empowerment and Feminist Possibilities, Lara C. Stache and Rachel D. Davidson demonstrate how the on-screen character of the avenging-woman offers a complex construction of femininity that serves as a representation of cultural conversations about female empowerment, female agency, and feminism. This character is both woman and hero, typically both physically appealing and physical aggressive—a dichotomy that goes against traditional gendered norms of femininity. Television and film narratives produced since 2010, the authors posit, offer an opportunity to reflect on and consider the evolution of cultural ideologies about women and power, given the significant cultural shifts in Hollywood that occurred amid the #MeToo explosion and post–Harvey Weinstein revelations. Stache and Davidson argue that depictions of the avenging-woman utilize a feminist language of empowerment that suggests the potential for a subversive message against the patriarchy while also recognizing that an alternative reading of some representations presents, at times, a hegemonic construction of empowerment that ultimately cautions against subversion within patriarchal systems. The authors question how these representations may limit social change or, in some cases, represent particularly progressive rhetorics about women and power. Scholars of communication, media studies, film and television studies, and women’s studies will find this book of particular interest.
Lara C. Stache is associate professor in communication at Governors State University.
Rachel D. Davidson is associate professor at Hanover College in the Department of Communication.
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