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Ballad of Maria Marten

Beth Flintoff
€17.50
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1827
19th century
A01=Beth Flintoff
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Author_Beth Flintoff
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Category1=Non-Fiction
Category=DD
COP=United Kingdom
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drama
Eastern Angles
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_poetry
historical drama
Language_English
modern drama
PA=Available
plays
plays about women
Price_€10 to €20
PS=Active
Red Barn Murder
softlaunch
Stephen Joseph Theatre
theatre
touring theatre
true crime

Product details

  • ISBN 9781839040450
  • Dimensions: 129 x 198mm
  • Publication Date: 23 Sep 2021
  • Publisher: Nick Hern Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Description

'It's been a year since I died, and still nobody has found me.'

Summer, 1827. In a red barn in Suffolk, Maria Marten awaits her lover. A year later, hidden in a grain sack under the floor of the barn, Maria's body is found, barely identifiable - and the manhunt begins.

The Red Barn Murder had all the hallmarks of a classic crime drama: a missing body, a country location, a disreputable squire and a village stuck in its age-old traditions. But whilst sending shockwaves throughout the country, Maria's own story was lost.

The Ballad of Maria Marten rediscovers her story, bringing it back to vivid, urgent life. Beth Flintoff's thrilling play was first performed by an all-female cast in a production by Eastern Angles in July 2018. Subsequent national tours were produced with Eastern Angles by Matthew Linley Creative Projects in association with the Stephen Joseph Theatre.
About Beth Flintoff
Beth Flintoff is a playwright, dramaturg and theatre director. Her plays include: A Christmas Carol (Reading Rep, 2021/22); The Ballad of Maria Marten (Stephen Joseph Theatre, Scarborough, and UK tour, 2020/21); The World We Made (Warwick Arts Centre, 2019); Rebellious Women (Attic Theatre Company, 2018, as The Rebellious Women of Wimbledon); The Glove Thief (2017, commissioned by Tonic Theatre Company as part of their Platform scheme in association with Nick Hern Books); Matilda the Empress (Reading Between the Lines, Reading, 2017); and Greenham: One Hundred Years of War and Peace (a large-scale site specific performance piece performed on Greenham Common in September 2017). She is an Associate Playwright and Young Writers Associate at the Royal Court Theatre, London. She is also an Associate Artist at Rabble Theatre Company, for whom she has written plays including Henry I, Matilda the Empress, Henry II, and The Last Abbot. Previously she was the founding Artistic Director of new-writing fringe ensemble Debut Theatre Company, and was Outreach Director at The Watermill Theatre in Berkshire. Author photo by Ian Legge

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