A01=Gale R. Owen-Crocker
Age Group_Uncategorized
Age Group_Uncategorized
Anglo-Saxon material culture
Author_Gale R. Owen-Crocker
automatic-update
Bayeux Tapestry
Canterbury eyes
Category1=Non-Fiction
Category=ACK
Category=AFW
Category=AFWH
Category=AGA
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Dress and authority
early medieval craftsmanship
embroidery techniques study
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feathers
fibre
iconographic symbolism
Language_English
manuscript art interpretation
medieval textile analysis
narrative structure in historical embroidery
PA=Available
Price_€100 and above
PS=Active
skin
softlaunch
Squawk talk
Stylistic variation
wood
Product details
- ISBN 9781409446637
- Weight: 1058g
- Dimensions: 169 x 244mm
- Publication Date: 24 Dec 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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This collection of fifteen papers ranges from the author's initial interest in the Tapestry as a source of information on early medieval dress, through to her startling recognition of the embroidery's sophisticated narrative structure. Developing the work of previous authors who had identified graphic models for some of the images, she argues that not just the images themselves but the contexts from which they were drawn should be taken in to account in 'reading' the messages of the Tapestry. In further investigating the minds and hands behind this, the largest non-architectural artefact surviving from the Middle Ages, she ranges over the seams, the embroidery stitches, the language and artistry of the inscription, the potential significance of borders and the gestures of the figures in the main register, always scrutinising detail informatively. She identifies an over-riding conception and house style in the Tapestry, but also sees different hands at work in both needlecraft and graphics. Most intriguingly, she recognises an sub-contractor with a Roman source and a clownish wit. The author is Professor of Anglo-Saxon Culture at The University of Manchester, UK, a specialist in Old English poetry, Anglo-Saxon material culture and medieval dress and textiles.
Gale Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester, UK.
