Beatles and Black Music

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1950s
1960s
A01=Dr Richard Mills
A01=Richard Mills
Age Group_Uncategorized
Age Group_Uncategorized
American Rhythm and Blues
Author_Dr Richard Mills
Author_Richard Mills
automatic-update
Beatles studies
Beatles' legacy
Black studies
Category1=Non-Fiction
Category=AVGP
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
Category=JBCC1
Category=JBSL1
Category=JFCA
Category=JFSL1
COP=United States
cultural studies
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
George Harrison
historical lens
historiography
John Lennon
Language_English
Liverpool
Lord Woodbine
Mersey Beat
PA=Not yet available
Paul McCartney
post-colonial
post-colonial British identity
Price_€50 to €100
PS=Active
Ringo Starr
softlaunch
Transatlantic Slave Trade

Product details

  • ISBN 9781501366949
  • Weight: 540g
  • Dimensions: 158 x 232mm
  • Publication Date: 12 Jun 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The Beatles and Black Music discusses the influence that Black music and culture has had over the Beatles throughout their collective and solo careers.

Tracing the history of Black musical and cultural influence on popular music from the Transatlantic Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens. The Beatles and Black Music discusses the influence that Black music and culture has had over the Beatles throughout their collective and solo careers. Richard Mills adopts a musicological and historiographic account to demonstrate the extent to which Liverpool’s colonial history influenced the Beatles’ music.

Beginning with the grand narrative of British colonial history pre-Beatles, it covers the influence of Black music and culture on the Beatles' teenage years in the 1950s, their association with Lord Woodbine, their love of American Rhythm and Blues in the mid-1960s, and extends to a discussion of post-colonial British identity and the lasting effect Black music has had on the Beatles’ legacy and continues to have on the solo careers of Ringo Starr and Paul McCartney.

Richard Mills is Programme Director and Associate Professor in English Literature and Popular Culture at St Mary’s University, Twickenham, UK. He is the author of The Beatles and Fandom (Bloomsbury, 2019) and co-editor, with Lee Brooks and Mark Donnelly, of Mad Dogs and Englishness (Bloomsbury, 2017) and, with Katie Kapurch and Matthias Heyman, The Beatles and Humour (Bloomsbury, 2023).

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