Beatles, Sgt. Pepper, and the Summer of Love

Regular price €107.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A32=Jacqueline Edmondson
A32=Joe Rapolla
A32=Katie Kapurch
A32=Kenneth L. Campbell
A32=Kit OToole
A32=Mark Osteen
A32=Michael Frontani
A32=Robert Rodriguez
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Kathryn B. Cox
B01=Kenneth Womack
British Literature
British Music
Category1=Non-Fiction
Category=AVGP
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
Category=BGF
Category=DNBF
Category=JBCC1
Category=JFCA
COP=United States
Cultural Studies
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
George Harrison
John Lennon
Language_English
Music
PA=Available
Paul McCartney
Popular Music
Price_€50 to €100
PS=Active
Psychedelia
Ringo Starr
softlaunch
Summer of Love
The Beatles

Product details

  • ISBN 9781498534734
  • Weight: 549g
  • Dimensions: 162 x 235mm
  • Publication Date: 03 Jul 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

For the Beatles, 1967 marks a signal crossroads that would both transform the group’s career and place them on a trajectory towards their eventual disbandment. It was a year in which they exploded prevailing rock music demographics through the global onslaught and international success of Sgt. Pepper’s Lonely Hearts Club Band beginning in June 1967. Yet it was also a period that saw them in a precarious state of flux throughout the summer and fall months, as the band attempted to recapture their artistic direction in the wake of Sgt. Pepper and the untimely death of manager Brian Epstein.

The Beatles, Sgt. Pepper, and the Summer of Love draws readers into that pivotal year in the life of the band. For the Fab Four, 1967 would see the band members part ways with psychedelia and the avant-garde through the trials and tribulations of the Magical Mystery Tour, a project that resulted in a series of classic recordings, while at the same time revealing the bandmates’ aesthetic vulnerabilities and failings as would-be filmmakers and auteurs.

Kenneth Womack is professor of English and dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University.

Kathryn B. Cox isdoctoral candidate in historical musicology at the University of Michigan.