Biopic in Contemporary Film Culture

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B01=Belen Vidal
B01=Tom Brown
Belen Vidal
Biopic
Biopic Genre
Camille Claudel
Category1=Non-Fiction
Category=ATFA
Category=ATFN
Category=JBCT
Category=NH
Category=NL-HB
cinematic historiography
Classical Biopic
Contemporary Biopic
Contemporary Film Culture
COP=United Kingdom
cultural memory media
DVD.
Edith Piaf
Eduardo Saverin
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Biopic
Film Studies
Format=BC
French Box Office
Future Perfect Tense
genre theory analysis
Ginette Vincendeau
global biographical film scholarship
Gogh
Heritage Film
historical representation film
HMM=229
Hollywood Biopic
Il Divo
IMPN=Routledge
ISBN13=9780415899413
Joann Sfar
La Gueule
La Vie En Rose
Language_English
Long Shots
Marie Antoinette
Moliere
Musical Biopic
narrative embodiment
PA=Available
PD=20131207
POP=London
Price=€50 to €100
PS=Active
PUB=Taylor & Francis Ltd
Subject=History
Tom Brown
transnational cinema studies
Vincent Van Gogh
WG=454
WMM=152
Young Man

Product details

  • ISBN 9780415899413
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: London, GB
  • Product Form: Paperback
  • Language: English
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The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualizing the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture.

From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.

Tom Brown is Lecturer in the Department of Film Studies at King’s College London. He is the editor (with James Walters) of Film Moments: Criticism, History, Theory and (with James Bennett) of Film and Television after DVD, and the author of Breaking the Fourth Wall: Direct Address in the Cinema.

Belén Vidal is Senior Lecturer in the Department of Film Studies at King’s College London. She is the author of Figuring the Past: Period Film and the Mannerist Aesthetic and The Heritage Film: Nation, Genre, and Representation. She is the co-editor of Cinema at the Periphery.