Blues Muse

Regular price €29.99
20th century American poetry
21st century American poetry
A01=Emily Ruth Rutter
African American music and poetry
African American Studies
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Age Group_Uncategorized
Al Young
Amina Baraka
Amiri Baraka
Angela Y. Davis
Author_Emily Ruth Rutter
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Bessie Smith
Billie Holiday
blues music in American poetry
Category1=Non-Fiction
Category=AVGK
Category=AVLP
Category=DSC
COP=United States
Cornelius Eady
Delivery_Delivery within 10-20 working days
Elizabeth Bishop
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Forrest Gander
Frank O'Hara
Frank O’Hara
Fred Moten
Gertrude "Ma" Rainey
Harryette Mullen
Hazel Carby
Jayne Cortez
John Sinclair
Kevin Young
Langston Hughes
Language_English
Larry Neal
Lead Belly
Ma Rainey Georgia Jazz Band
Michael S. Harper
music and literature
Myron O'Higgins
Myron O’Higgins
New Negro Renaissance
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Patricia Spears Jones
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race and gender in poetry
Rita Dove
Robert Hayden
Robert Johnson
Sherley Anne Williams
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Sonia Sanchez
Sterling Brown
Sterling Plumpp
Terrance Hayes
twentieth century American poetry
twenty-first century American poetry
Tyehimba Jess

Product details

  • ISBN 9780817359942
  • Weight: 355g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2020
  • Publisher: The University of Alabama Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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A critical analysis of the poetic representations and legacies of five landmark blues artists

The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry focuses on five key blues musicians and singers—Gertrude “Ma” Rainey, Bessie Smith, Billie Holiday, Robert Johnson, and Lead Belly—and traces the ways in which these artists and their personas have been invoked and developed throughout American poetry. This study spans nearly one hundred years of literary and musical history, from the New Negro Renaissance to the present.

Emily Ruth Rutter not only examines blues musicians as literary touchstones or poetic devices, but also investigates the relationship between poetic constructions of blues icons and shifting discourses of race and gender. Rutter’s nuanced analysis is clear, compelling, and rich in critical assessments of these writers’ portraits of the musical artists, attending to their strategies and oversights.
Emily Ruth Rutter is assistant professor of English at Ball State University. She is the author of Invisible Ball of Dreams: Literary Representations of Baseball behind the Color Line.Her research has been published in African American Review, South Atlantic Review, Studies in American Culture, Aethlon, and MELUS.