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Body in the Mirror
Body in the Mirror
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€142.99
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A01=Angela Dalle Vacche
Age Group_Uncategorized
Age Group_Uncategorized
Amarcord
Antonio Gramsci
Art
Art film
Author_Angela Dalle Vacche
automatic-update
Awareness
Bernardo Bertolucci
Bourgeoisie
Cabiria
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HBJD
Category=HBTB
Cinema Nuovo
Close-up
Commedia dell'arte
Conformity
Consciousness
COP=United States
Courtesy
Culture industry
Dance studio
Delivery_Pre-order
Dissolve (filmmaking)
Domani
Editing
Emblem
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Federico Fellini
Femininity
Film Culture
Film industry
Furniture
Giuseppe De Santis
Historiography
Human behavior
Human physical appearance
Ideology
In the Bedroom
Individual
Interior design
Interpellation (philosophy)
Jean-Luc Godard
Kitsch
La Scala
La Strada
Language_English
Literature
Louis Althusser
Luchino Visconti
Maciste
Macrohistory
Mask
Mass media
Melodrama
Microhistory
Montage (filmmaking)
Narration
Narrative
Narrative structure
Neorealism (art)
PA=Temporarily unavailable
Paolo and Vittorio Taviani
Peplum (film genre)
Philosophy
Philosophy of history
Pier Paolo Pasolini
Politics
Price_€100 and above
PS=Active
Public history
Raf Vallone
Roberto Rossellini
Role
Sexual identity
softlaunch
State (polity)
Subjectivity
The Conformist
The Fascist
The Human Body (TV series)
Utopia
World War II
Product details
- ISBN 9780691637549
- Weight: 765g
- Dimensions: 178 x 254mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, she offers brilliant interpretations of individual films. The "body in the mirror" is the national self-image on the screen, which changes shape in response to historical and political context. To discover how the nation represents, understands, and recognizes this fictional "body," Dalle Vacche discusses changes in the strongest parameters of Italian cinema: allegory, spectacle, body, history, unity, and continuity.
In her hands these concepts yield a wealth of insights for film scholars, art historians, political scientists, and those concerned with cultural studies in general, as well as for other educated readers interested in Italian cinema. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Body in the Mirror
€142.99
