British Publishing Industry in the Nineteenth Century

Regular price €167.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
author publisher relations
Authorship
automatic-update
B01=Andrew Nash
B01=David Finkelstein
Book Distribution
Category1=Non-Fiction
Category=HBAH
Category=HBJD1
Category=HBLL
Category=HBTB
Category=KNTP
Category=KNTP1
Category=NHAH
Category=NHD
Category=NHTB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Educational Reforms
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evolution of British publishing industry
History of Retail
intellectual property reform
international publishing markets
Language_English
literary agent history
literary property law
Mass Reading
nineteenth-century copyright
PA=Available
Periodicals
Price_€100 and above
Printing Press
PS=Active
softlaunch

Product details

  • ISBN 9780367568429
  • Weight: 920g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Mar 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This volume assembles documents that illustrate the changing relations between authors and publishers in the nineteenth century, and the impact of copyright reform on publishing practices. The enormous expansion in the scale and variety of the marketplace for print after 1815 provided new opportunities for authors and prompted debates over intellectual property and the working relations between authors and publishers. The volume documents the impact of these changes on the publishing industry and its markets, focusing on key moments such as the emergence of the professional literary agent in the late 1870s and the formation of the Incorporated Society of Authors in 1883. It also includes key contemporary material related to copyright and intellectual property, which were major battle grounds affecting nineteenth-century textual circulation, author/publisher relations, financial sustainability, competitiveness in international markets, and industrial relations. The British publishing industry’s attempts to control piracy and unrestricted circulation of their titles in the US and elsewhere found expression in a number of pressure campaigns, formal government commissions, legal acts, and contributions to public debate through journal articles, pamphlets, speeches, and newspaper accounts, of which a representative selection are featured in this volume.

Professor David Finkelstein (BA, PhD, FEA, FRHistS, FRSA) is a cultural historian who has published over 90 books, essays and refereed journal articles in areas related to nineteenth-century cultural history, print culture and media history, several of which have won awards. His most recent work includes Movable Types: Roving Creative Printers of the Victorian World (Oxford University Press, 2018), and the 850 page edited Edinburgh History of the British and Irish Press, volume 2: Expansion and Evolution, 1800-1900 (Edinburgh University Press, 2020). Current projects include a co-edited volume on the colonial periodical press, as well as work on print workplaces in Edwardian visual culture.

Dr Andrew Nash (MA, MSc, PhD) is Reader in Book History and Deputy Director of the Institute of English Studies in the University of London’s School of Advanced Study where he directs the MA in the History of the Book and the London Rare Books School. In addition to monographs on Victorian literature and Scottish literature, he has edited or co-edited many works in the field of book and publishing history including The Culture of Collected Editions (2003), Literary Cultures and the Material Book (2007), New Directions in the History of the Novel (2014) and, most recently, The Cambridge History of the Book in Britain, vol. 7: the Twentieth Century and Beyond (2019). He is part of a new Leverhulme-funded research project on the early history of the Society of Authors (2020-24).