Cashaway Psalmody

Regular price €64.99
A01=Stephen A. Marini
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Colonial America
colonial Carolinas
Colonial United States
commercial culture
COP=United States
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early American history
economics of artistic production
educational culture
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musical development
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psalmody
psalter
religious culture
ritual song of colonial America
sacred music
sacred music for tenor
sacred music in early American history
sacred music manuscripts
sacred music of colonial America
sacred music singing
singing
singing in early American history
social development
softlaunch
transatlantic musical exchange
tunebooks

Product details

  • ISBN 9780252042843
  • Weight: 821g
  • Dimensions: 156 x 235mm
  • Publication Date: 08 Jan 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill.

Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song-transmitted via transatlantic music, lyrics, and sacred singing-shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period.

Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Stephen A. Marini is the Elisabeth Luce Moore Professor of Christian Studies and a professor of American religion and ethics at Wellesley College. He is the author of Sacred Song in America: Religion, Music, and Public Culture and contributing editor for sacred music for The Grove Dictionary of American Music, second edition, and singing-master of Norumbega Harmony, a choral ensemble specializing in eighteenth-century Anglo-American psalmody.