Changing Face of Afro-Caribbean Cultural Identity

Regular price €55.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Mamadou Badiane
African Studies
Age Group_Uncategorized
Age Group_Uncategorized
Author_Mamadou Badiane
automatic-update
Category1=Non-Fiction
Category=DSBH
Category=DSC
Category=JBSL
Category=JFSL3
Category=JHMC
COP=United States
Culture and Religion
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9780739125540
  • Weight: 295g
  • Dimensions: 150 x 230mm
  • Publication Date: 04 May 2012
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Négritude looks primarily at Negrismo and Négritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements.

This book examines the search for cultural identity through the poetry of Nicolas Guillén, Manuel del Cabral, and Palés Matos. This search is extended to the Négritude movement through the poems of Léopold Senghor, Léon-Gontran Damas, and Aimé Césaire. Mamadou Badiane further discusses the under-represented Négritude women writers who were silenced by their male counterparts during the first half of the twentieth century.

Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the Négritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanité and Créolité movements see themselves as a product of miscegenation between different cultures.

Mamadou Badiane is assistant professor of Hispanic Studies at University of Missouri-Columbia.

More from this author