Chanson d'Antioche

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Academia De Buenas Letras De
B01=Carol Sweetenham
battle
Category1=Non-Fiction
Category=DSBB
Category=N
Category=NHD
Category=NHW
Category=NL-DS
Category=NL-HB
Chanson De Geste
Chevalier Au Cygne
chivalric literature
COP=United Kingdom
crusader narratives
De Buenas Letras De Barcelona
De La Croisade
Dead Man
Discount=15
epic poetry studies
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
Format_Hardback
french
French Crusade Cycle
geste
Graindor De Douai
Gran Conquista De Ultramar
HMM=234
holy
Holy Sepulchre
IMPN=Ashgate Publishing Limited
ISBN13=9780754654896
jsalem
La Real Academia De Buenas
lance
Language_English
Las Tours
Le Puiset
Le Puy
literature
manuscript tradition analysis
medieval
medieval historiography
Memorias De La Real Academia
Noble Lords
North Eastern France
Old French crusade epic translation
orderic
PA=Available
PD=20111228
Peter Tudebode
Price_€100 to €200
PS=Active
PUB=Taylor & Francis Ltd
Raoul De Cambrai
Real Academia De Buenas Letras
Red Lion
RLR.
SN=Crusade Texts in Translation
Subject=History
Subject=Literature: History & Criticism
Swan Knight
textual criticism
Villehardouin
vitalis
WG=907
WMM=156
Young Man

Product details

  • ISBN 9780754654896
  • Format: Hardback
  • Weight: 780g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Dec 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event - the First Crusade - and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.
Susan B. Edgington is an Honorary Research Fellow at Queen Mary, University of London, UK. Carol Sweetenham is an Associate Research Fellow at the University of Warwick, UK