Cinema of Wes Anderson

Regular price €31.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Whitney Crothers Dilley
Age Group_Uncategorized
Age Group_Uncategorized
Author_Whitney Crothers Dilley
automatic-update
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=ATFA
Category=ATFB
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
SN=Directors' Cuts
softlaunch

Product details

  • ISBN 9780231180696
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Aug 2017
  • Publisher: Columbia University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today.
Whitney Crothers Dilley is professor of English at Shih Hsin University in Taipei, Taiwan, and has published five books on film and literature, including The Cinema of Ang Lee: The Other Side of the Screen (2007).

More from this author