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Cinematic Bodies of Eastern Europe and Russia
Cinematic Bodies of Eastern Europe and Russia
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B01=Elbieta Ostrowska
B01=Ewa Mazierska
B01=Matilda Mroz
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=APFN
Category=ATF
Category=ATFA
Category=ATFB
Category=ATFN
Category=ATFX
COP=United Kingdom
Critical Theory
Delivery_Delivery within 10-20 working days
Eastern European Film
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
Film-Philosophy
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9781474405140
- Weight: 544g
- Dimensions: 156 x 234mm
- Publication Date: 18 Oct 2016
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.
Ewa Mazierska is Professor of Film Studies at the University of Lancashire, UK. She published over thirty monographs and edited collections on film and popular music, including Popular Polish Electronic Music, 1970–2020: Cultural History (2021), Polish Popular Music on Screen (2021), Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema (2017) and monographs of several directors, such as Roman Polanski, Jerzy Skolimowski and Nanni Moretti. She is the principal editor of Studies in Eastern European Cinema. Her work was translated to over 20 languages. Matilda Mroz is Lecturer in Film Studies at the University of Sydney. She is the author of Framing the Holocaust in Polish Aftermath Cinema (2020, Palgrave MacMillan) and Temporality and Film Analysis (2012, EUP). She is co-editor of The Cinematic Bodies of Eastern Europe and Russia (2016, EUP), Remembering Katyń (2012, Polity Press) and Elemental World Cinemas (2025, Brill). Elżbieta Ostrowska is an Associate Professor in the Department of Film and Audiovisual Media at the University of Łódź, Poland. Her publications include Women in Polish Cinema, co-authored with Ewa Mazierska (2006), the co-edited volumes The Cinematic Bodies of Eastern Europe and Russia. Between Pain and Pleasure (with Ewa Mazierska and Matilda Mroz) and The Cinema of Roman Polanski. Dark Spaces of the World. Her articles about film in have appeared in publications such as Slavic Review, Studies in European Cinema and Feminist Encounters.
Cinematic Bodies of Eastern Europe and Russia
€112.99
