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Coen Brothers: This Book Really Ties the Films Together
Coen Brothers: This Book Really Ties the Films Together
★★★★★
★★★★★
Regular price
€43.99
A01=Adam Nayman
A12=Telegramme (with Timba Smits)
Age Group_Uncategorized
Age Group_Uncategorized
Author_Adam Nayman
Author_Telegramme (with Timba Smits)
automatic-update
biography
biography and autobiography
Category1=Non-Fiction
Category=APFB
Category=ATFB
close film analysis
COP=United States
critical text
Delivery_Delivery within 10-20 working days
engaging
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exploration of coen brothers oeuvre
fargo
film stills
history and criticism
illustrations
infographics
inside lleywn davis
interviews with key coen collaborators
Language_English
modern american cinema
no country for old men
nonfiction
PA=Available
Price_€20 to €50
PS=Active
raising arizona
softlaunch
the big lebowski
Product details
- ISBN 9781419727405
- Weight: 1940g
- Dimensions: 262 x 311mm
- Publication Date: 11 Sep 2018
- Publisher: Abrams
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.
Adam Nayman is a film critic in Toronto for TheGlobe and Mail and The Grid and a contributing editor to Cinema Scope. He has written on film for the Village Voice, L.A. Weekly, Film Comment, Cineaste, Montage, POV, Reverse Shot, The Walrus, Saturday Night, Little White Lies, and The Dissolve. He teaches film studies at the University of Toronto and Ryerson University and is a programmer for the Toronto Jewish Film Society. He lives in Toronto, Ontario.
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