Coit Tower Murals

Regular price €22.99
A01=Robert W. Cherny
Age Group_Uncategorized
Age Group_Uncategorized
Author_Robert W. Cherny
automatic-update
Bay Area
Bernard Zakheim
Category1=Non-Fiction
Category=AB
Category=AC
Category=ACXD2
Category=AGA
Category=AGB
Category=HBJK
Category=NHK
Category=WQH
controversies
controversies over New Deal art
COP=United States
Delivery_Pre-order
Diego Rivera
Edith Hamlin
eq_art-fashion-photography
eq_history
eq_isMigrated=2
eq_non-fiction
historiography of New Deal art
Language_English
left-wing art
Lucien Labaudt
Maxine Albro
muralists
murals in United States
New Deal art
PA=Not yet available
Price_€20 to €50
PS=Active
public art
Public Works of Art Project
Ralph Stackpole
socialist themes
softlaunch
Suzanne Scheuer
the American Scene
United States
Victor Arnautoff

Product details

  • ISBN 9780252088353
  • Weight: 513g
  • Dimensions: 178 x 254mm
  • Publication Date: 12 Nov 2024
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art.

Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals.

An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.

Robert W. Cherny is a professor emeritus of history at San Francisco State University. His many books include Victor Arnautoff and the Politics of Art and Harry Bridges: Labor Radical, Labor Legend.