Color Black

Regular price €25.99
Regular price €26.50 Sale Sale price €25.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
2025 Paul E. Lovejoy Prize Winner
2025 Wesley-Logan Prize Winner
A01=Beeta Baghoolizadeh
abolition
Age Group_Uncategorized
Age Group_Uncategorized
AHA Book Awards
American Historical Association
archival studies
Author_Beeta Baghoolizadeh
automatic-update
Black Iranians
Blackness
Category1=Non-Fiction
Category=HBJF1
Category=JBSL
Category=JFSL
Category=JFSL1
Category=NHG
COP=United States
Delivery_Delivery within 10-20 working days
domestic enslavement
enslavement
eq_bestseller
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
erasure
eunuchs'
family
history-making
human trafficking
Iran
Iran-Iraq War
Journal of Global Slavery
Language_English
Manumission Law of 1929
memory
Middle East
minstrelsy
Mozaffar ed-Din Shah
Naser ed-Din Shah
nationalism
PA=Available
Pahlavi Era
Persian Gulf
photography
Price_€20 to €50
PS=Active
Qajar court
race
racial geographies
Reza Shah
siyah
slavery
social media
softlaunch
Trouillot
visibility
visual studies

Product details

  • ISBN 9781478030249
  • Weight: 431g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Mar 2024
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined-and interchangeable-in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
Beeta Baghoolizadeh is Associate Research Scholar in the Sharmin and Bijan Mossavar-Rahmani Center for Iran and Persian Gulf Studies at Princeton University.

More from this author