Contemplative Activity

Regular price €40.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Pepita Haezrahi
Aesthetic Contemplation
Aesthetic Enjoyment
Aesthetic Experience
Aesthetic Judgement
Aesthetic Merit
Aesthetic Perception
Aesthetic Response
Age Group_Uncategorized
Age Group_Uncategorized
Artistic Response
Author_Pepita Haezrahi
automatic-update
Baroque
Category1=Non-Fiction
Category=AB
Category=AC
Category=AGA
Category=HPN
Category=QDTN
Common Language
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
Follow
Hold
Inclined
Kindred
Language_English
Leaf Fall
Mozart
Mystical Communion
PA=Available
Price_€20 to €50
PS=Active
Smooth
softlaunch
Superb
True Taste
Unlimited
Unreflective Spontaneity
Vice Versa
Young Men

Product details

  • ISBN 9781032195131
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Feb 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

First published in 1954, The Contemplative Activity analyses our knowledge of aesthetic experience, making the basic assumption that the existence of such experience is a hard core of fact which can only be described. Haezrahi’s approach to the problem of aesthetic judgment is analytical, concerned with clarifying its preconditions, determining its categories and tracing its implications. Her analysis reveals it consists a particular mode of perception and a particular attitude adopted towards what is so perceived. The various philosophies of art and beauty, though they represent attitudes different from the purely aesthetic one, are carefully examined too since the contemplative spectator is indebted to them for the achievement of adequate aesthetic responses to specific works of art. Haezrahi also discusses methods of objective evaluation of the aesthetic experience as well as possible means to reduce the margin of error involved in the particular responses of critics and theorists. This book will be particularly important for students of philosophy and of art.

More from this author