Cults of Raphael and Michelangelo

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A01=Tamara Smithers
Accademia Del Disegno
Age Group_Uncategorized
Age Group_Uncategorized
Agnolo Bronzino
Alessandro Vittoria
Andrea Bregno
Antonio Del Pollaiuolo
art academies
art historical methodology
artistic legacy studies
Author_Tamara Smithers
automatic-update
Baccio Bandinelli
Baroque
Bartolomeo Ammannati
burial
burial rites
Carlo Maratti
Casa Buonarroti
Category1=Non-Fiction
Category=AC
Category=AGA
COP=United Kingdom
cult of the artist
cultural memory Italy
death
Delivery_Delivery within 10-20 working days
Duke Cosimo
early modern art
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Florence
funerary commemoration
Funerary Memorial
Giorgio Vasari
Giulio Bonasone
Il Divino
Italian Renaissance artists
Italy
Language_English
memorials
Michelangelo
Michelangelo Buonarroti
Michelangelo's Funeral
mourning
myth making
PA=Available
Perino Del Vaga
Portrait Of A Man
post-mortem
posthumous fame in art history
Price_€20 to €50
PS=Active
Raphael
Raphael's Workshop
Renaissance
Renaissance artists
Rome
Santa Maria Ad Martyres
Santa Maria Gloriosa Dei Frari
Santi Apostoli
sculptor
sculpture
signatures
softlaunch
Tomb Memorial
tombs
Valerio Cioli
Younger Men

Product details

  • ISBN 9781032310480
  • Weight: 640g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century.

These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo.

By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.

Tamara Smithers is Professor of Art History at Austin Peay State University, USA.

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