Danger of Music and Other Anti-Utopian Essays

Regular price €33.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
21st century art criticism
21st century music criticism
A01=Richard Taruskin
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
anti utopian thought
art post 9/11
art post 911
arts
Author_Richard Taruskin
automatic-update
bach
beethoven
boris goudenow
career
Category1=Non-Fiction
Category=AV
Category=AVA
classical music
colonialism
contemporary composition
contemporary performance
COP=United States
critics
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethics
ezra pound
hindemith legacy
historians
Language_English
lifetime
modernism
music
musicology
nationalism
nature
optimism
PA=Available
performance
political art
politics
Price_€20 to €50
PS=Active
public musicologist
pundits
softlaunch
sterility
stravinsky
terrorist attacks
teutonic train wreck
the new york times
wagner

Product details

  • ISBN 9780520268050
  • Weight: 726g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Nov 2010
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
"The Danger of Music" gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as "The New York Times" to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's 'public' musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses - one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's "Text and Act (1995)" - that appear in print for the first time.
Richard Taruskin is Class of 1955 Chair of Music at the University of California, Berkeley and is the author of Stravinsky and the Russian Traditions (UC Press), among many other books.

More from this author