Dark Ages and the Age of Gold

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A01=Russell A. Fraser
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Agnosticism
Anathema
Anthropomorphism
Antithesis
Aphorism
Art for art's sake
Arthur Golding
Author_Russell A. Fraser
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Category1=Non-Fiction
Category=HBJD
Category=HBLC1
Category=NHDJ
Christian Morgenstern
COP=United States
Culture and Anarchy
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Edward Alleyn
Epic poetry
Epigram
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eq_nobargain
eq_non-fiction
Erudition
Euhemerism
Ezra Pound
Falsity
Gorboduc
Hyperbole
Irving Babbitt
John Foxe
John of Gaunt
Joseph Conrad
Juvenal
Kenneth Burke
Lactantius
Language_English
Lewis Theobald
Love's Labour's Lost
Maleficent
Martianus Capella
Meister Eckhart
Metaphysical poets
Misery (novel)
New Criticism
Oxymoron
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Pelagianism
Petrarch
Philosophy
Plautus
Plotinus
Poetaster
Poetry
Polonius
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Prince Hal
Prudentius
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Pun
Romanticism
Samson Agonistes
Satanism
Scholasticism
Scientism
Seven deadly sins
Silver age
softlaunch
Sophocles
Stephen Hawes
The Birth of Tragedy
The Day of Doom
The Devil Is an Ass
The Golden Pot
The Gravediggers
The Heresy of Paraphrase
The Philosopher
The Poetaster
The Realist
Thomas Carlyle
Titus Andronicus
Tragedy
Tragicomedy
Verisimilitude (fiction)
William Ames
William Shakespeare

Product details

  • ISBN 9780691646183
  • Weight: 765g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In this original and provocative book Russell Fraser has set himself no less a task than the description and interpretation of one of the signal "facts" of Western history--the breaking away of the present from the medieval past. He locates this break in England in the sixteenth century, and on the continent two hundred years earlier. Unafraid to synthesize, he weaves a rich fabric of quotations, allusions, and examples from art, music, philosophy, theology, and physical science to explain the cultural transition to the modern world. Although the author ranges from Plato to the present, his focus is concentrated on the major figures of the Middle Ages and the Renaissance, especially Shakespeare, "the last and greatest of medieval artists." His intention is always to draw together and compare medieval. Renaissance, and contemporary attitudes so that the reader can see the past becoming the present, how and when this transformation occurred, and for what reasons. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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