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Dark Tree
1950s jazz avant-garde
A01=Steven L. Isoardi
African American musicians
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Author_Steven L. Isoardi
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Category1=Non-Fiction
Category=AVGJ
Category=AVLP
Category=HBTB
Category=JBSL1
Category=JFSL1
Category=JFSL3
Category=NHTB
community arts
COP=United States
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Horace Tapscott
Interplay Records
jazz
Language_English
Leimert Park
Los Angeles
Mafundi Institute
Mekala Session
Michael Dett Wilcots
Michael Session
Nimbus Records
orchestration
PA=Available
Pan Afrikan Peoples Arkestra
post-segregation movements
Price_€20 to €50
PS=Active
segregated culture
slave culture
softlaunch
South Central Los Angeles
Studio Watts
The Azz Izz
The Great House
The People's Band
UGMAA Foundation
Underground Musicians Association UGMA
Union of God's Musicians and Artists Ascension
Watts Happening Coffee House
Watts Writers Workshop
West African arts
Product details
- ISBN 9781478025283
- Weight: 612g
- Dimensions: 152 x 229mm
- Publication Date: 08 Sep 2023
- Publisher: Duke University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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In the early 1960s, pianist Horace Tapscott gave up a successful career in Lionel Hampton’s band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God’s Musicians and Artists Ascension collective, was at the forefront of the vital community-based arts movement in Black Los Angeles. Some three hundred artists-musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists-passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. This revised and updated edition brings the story of the Arkestra up to date, as its ethos and aesthetic remain vital forces in jazz and popular music to this day.
Steven L. Isoardi is an independent scholar; editor of Songs of the Unsung: The Musical and Social Journey of Horace Tapscott, also published by Duke University Press, and Jazz Generations: A Life in American Music and Society; and coeditor of Central Avenue Sounds: Jazz in Los Angeles. He is the author of The Music Finds a Way: A PAPA/UGMAA Oral History of Growing Up in Postwar South Central Los Angeles.
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