Daughter Zion Allegory in Medieval German Religious Writing
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A01=Annette Volfing
Adelheid Langmann
affective piety
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Allegorical Narrative
Author_Annette Volfing
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bridal allegory
Bridal Mysticism
Bridal Soul
Category1=Non-Fiction
Category=DS
Category=DSBB
Category=HBLC1
Category=HRCG
Category=N
Category=QRM
Category=QRVC
Celestial Journey
Christ Child
Christian Exegetes
COP=United Kingdom
Cura Monialium
Dat Hij
Dawn Song
Daz Ich
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Devotio Moderna
Elsbeth Stagel
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
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Eternal Wisdom
Geiler Von Kaysersberg
gendered spirituality
German vernacular theology
Heinrich Seuse
Holy Mountain
Imago Trinitatis
Language_English
Latin Recensions
Mechthild Von Magdeburg
medieval female religious experience
medieval mysticism
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Price_€20 to €50
PS=Active
religious subjectivity
softlaunch
Spiritual Androgyny
Spiritual Pregnancy
Tota Pulchra Es
Vulnerasti Cor Meum
Wan Der
Product details
- ISBN 9780367881207
- Weight: 430g
- Dimensions: 156 x 234mm
- Publication Date: 12 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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The Daughter Zion allegory represents a particular narrative articulation of the paradigm of bridal mysticism deriving from the Song of Songs, the core element of which is the quest of Daughter Zion for a worthy object of love. Examining medieval German religious writing (verse and prose) and Dutch prose works, Annette Volfing shows that this storyline provides an excellent springboard for investigating key aspects of medieval religious and literary culture. In particular, she argues, the allegory lends itself to an exploration of the medieval sense of self; of the scope of human agency within the mystical encounter; of the gendering of the religious subject; of conceptions of space and enclosure; and of fantasies of violence and aggression. Volfing suggests that Daughter Zion adaptations increasingly tended to empower the religious subject to seek a more immediate relationship with the divine and to embrace a wider range of emotions: the mediating personifications are gradually eliminated in favour of a model of religious experience in which the human subject engages directly with Christ. Overall, the development of the allegory from the twelfth to the fifteenth centuries marks the striving towards a greater sense of equality and affective reciprocity with the divine, within the context of an erotic union.
Annette Volfing is Professor of Medieval German Studies at the University of Oxford and a Fellow of Oriel College, UK. She is a Fellow of the British Academy.
