Dehumanization of Art and Other Essays on Art, Culture, and Literature

Regular price €18.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Jose Ortega y Gasset
Age Group_Uncategorized
Age Group_Uncategorized
Allusion
Ambiguity
Author_Jose Ortega y Gasset
automatic-update
Baruch Spinoza
Biographical novel
Boredom
Category1=Non-Fiction
Category=ABA
Classicism
Consciousness
COP=United States
Cornea
Critique of Pure Reason
Cubism
Dehumanization
Delivery_Delivery within 10-20 working days
Derealization
Dime novel
Disgust
Dynamism (metaphysics)
El Greco
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Farce
Form of life (philosophy)
Genre
German literature
Good faith
Hoax
Idealism
Idealization
Ingredient
Instant
Irony
Language_English
Literary criticism
Literary genre
Literature
Martin Heidegger
Melodrama
Metaphor
Narration
Novel
Novelist
PA=Available
Paperback
Partisan Review
Pathos
Phenomenon
Philistinism
Philosopher
Philosophy
Physiognomy
Playwright
Potentiality and actuality
Price_€10 to €20
Primitivism
Prose
PS=Active
Reality
Relativism
Romanticism
Sensibility
Seriousness
Snob
Sociology of art
softlaunch
Stendhal
Suffering
Suggestion
Surrealism
Symptom
The Other Hand
The Philosopher
Theory
Thought
Tintoretto
Visual field
Vocation (poem)
Vulgarity
Work of art
Writing

Product details

  • ISBN 9780691197210
  • Dimensions: 140 x 216mm
  • Publication Date: 08 Oct 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

A classic work on radical aesthetics by one of the great philosophers of the early twentieth century

No work of philosopher and essayist José Ortega y Gasset has been more frequently cited, admired, or criticized than his response to modernism, “The Dehumanization of Art.” The essay, originally published in Spanish in 1925, grappled with the newness of nonrepresentational art and sought to make it more understandable to the public. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting efforts to abandon the realism and the romanticism of the nineteenth century. Others took it as a denunciation of everything that was radical about the avant-garde. This Princeton Classics edition makes this essential work, along with four of Ortega’s other critical essays, available in English. A new foreword by Anthony J. Cascardi considers how Ortega’s philosophy remains relevant and significant in the twenty-first century.

José Ortega y Gasset (1883–1955) was a Spanish philosopher and essayist. His many books include What is Knowledge? and The Revolt of the Masses. Anthony J. Cascardi is dean of arts and humanities and professor of comparative literature, rhetoric, and Spanish at the University of California, Berkeley.

More from this author