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Differentiation of Modernism
Differentiation of Modernism
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A01=Larson Powell
A01=Professor Larson Powell
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Arts
Author_Larson Powell
Author_Professor Larson Powell
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Category1=Non-Fiction
Category=AP
Category=ATF
Category=ATJ
Category=AVGC6
Category=AVLA
COP=United States
Delivery_Delivery within 10-20 working days
Differentiation
Electronic Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Film Music
German Media Arts
High Modernism
Intermediality
Language_English
Late Modernist Period
Modern Mass-Media
Modernism
PA=Available
Postwar
Price_€50 to €100
PS=Active
Radio Plays
Society
softlaunch
Theodor Adorno
Product details
- ISBN 9781571135728
- Weight: 600g
- Dimensions: 152 x 229mm
- Publication Date: 02 Dec 2013
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: US
- Product Form: Hardback
- Language: English
The Differentiation of Modernism analyzes the phenomenon of intermediality in German radio plays, film music, and electronic music of the late modernist period (1945-1980).
After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it.
Larson Powell is Curator's Professor of Film Studies at University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008).
Larson Powell is Curator's Professor of Film Studies at University of Missouri, Kansas City.
Differentiation of Modernism
€92.99
