Digital Musician

Regular price €179.80
A01=Andrew Hugill
Acoustic Reflex
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Andrew Hugill
aural awareness
Aural Score
Author_Andrew Hugill
automatic-update
Basilar Membrane
Category1=Non-Fiction
Category=AVA
Category=AVGV
Category=AVLX
collaborative composition
composing
COP=United Kingdom
creative identity
critical listening skills
data sonification
Delivery_Pre-order
Digital Audio Effects
digital audio production techniques
digital minimalism
digital music
digital musician
digital sound
Dominant Seventh Chord
drone
Electro-acoustic Music
electroacoustic music
electronic music
electronic music composition
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
evocative transcription
experimental music
FFT
fixed media
fourier transform
Groupe De Recherches Musicales
hardware hacking
harmonic series
hearing
improvisation
Initial Time Delay Gap
interactive music
Interactive Music Systems
Language_English
listening
live coding
live performance
loudness
machine listening
microphone techniques
MIDI
MIR
MIT Press
mixing and mastering
MSC
multimedia
music technology
musicians
musicianship
musicology
networked performance
noise
PA=Temporarily unavailable
Personal Vision Statement
Play Back
Price_€100 and above
PS=Active
psychoacoustics
Recording Studio
Reflective Practice
Routledge
silence
softlaunch
Software Instruments
sonic art
Sound Diffusion
sound structures
soundscape
Soundscape Composition
soundwalk
spectrograms
spectromorphology
timbre
Vice Versa
virtual reality music
waveform

Product details

  • ISBN 9781138569614
  • Weight: 800g
  • Dimensions: 178 x 254mm
  • Publication Date: 08 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The Digital Musician, Third Edition is an introductory textbook for creative music technology and electronic music courses. Written to be accessible to students from any musical background, this book examines cultural awareness, artistic identity and musical skills, offering a system-agnostic survey of digital music creation. Each chapter presents creative projects that reinforce concepts, as well as case studies of real musicians and discussion questions for further reflection.

This third edition has been updated to reflect developments in an ever-changing musical landscape—most notably the proliferation of mobile technologies—covering topics such as collaborative composition, virtual reality, data sonification and digital scores, while encouraging readers to adapt to continuous technological changes. With an emphasis on discovering one’s musical voice and identity, and tools and ideas that are relevant in any musical situation, The Digital Musician is sure to be an invaluable student resource for years to come.

Features of the third edition:

  • Additional case studies, with new interviews exclusive to the third edition
  • Revised chapter structure with an emphasis on student focus and understanding, featuring additional and expanded chapters
  • Reinstatement of selected and updated first edition topics, including mixing, mastering and microphones
  • Companion website featuring case study interviews, a historical listening list, bibliography and many additional projects

Visit the companion website: www.andrewhugill.com/thedigitalmusician

Andrew Hugill is Professor of Creative Computing at University of Leicester, UK.