Director as Collaborator

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Author_Robert Knopf
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Case Study Play
Category1=Non-Fiction
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collaborative theater directing guide
Common Language
Computer Aided Drafting Program
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Core Action
Core Action Statement
Costume Designer
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dramaturgy techniques
ensemble creation
Ensemble Members
Entertainment Technician Certification Program
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Full Length Play
Immersive Performances
Immersive Theater
Language_English
Light Plot
Mock Audition
Neil LaBute
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performance analysis
Preproduction Period
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Production's Core Action
Production’s Core Action
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Rehearsal Observations
rehearsal strategies
Santa Fe Opera
Script Analysis
Site Specific Environment
Site Specific Performance
softlaunch
stage management methods
Theater Company's Productions
Theater Company’s Productions
theater pedagogy
Traditional Theater Production
Vectorworks Spotlight
Visceral Elements

Product details

  • ISBN 9781138101418
  • Weight: 382g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Apr 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises.

New to the second edition:

  • updated interviews, exercises, forms, and appendices
  • new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites
  • new chapter on devised and ensemble-based works
  • new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

Robert Knopf is Professor of Theater at the University of Buffalo. A theater director and scholar, he is the author of The Theater and Cinema of Buster Keaton (Princeton University Press, 1999). For Yale University Press, he co-edited Theater of the Avant-Garde, 1950-2000 (2011), and edited Theater and Film (2004), and Theater of the Avant-Garde, 1890-1950 (2015). For the stage, he has directed at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and historic Town Hall, all in New York City. He served as dramaturg for the National Public Radio series The Archaeology of Lost Voices, for which he adapted and directed the docudrama Hidden Dragon. Prior to his current teaching position, he taught at Purdue University and the University of Michigan, where he was Director of Graduate Studies in Theater.

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