Early Avant-Garde in Twentieth-Century Literature and Art
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A01=Willard Bohn
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Alain Jouffroy
ardengo
Ardengo Soffici
Author_Willard Bohn
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Automatisme Psychique Pur
Braque
Category1=Non-Fiction
Category=ACX
Category=AGA
Category=DC
Category=DSB
Category=DSBH
chiricos
COP=United Kingdom
Cubist Poetry
dada
Dada Poems
Dada Poetry
De Chirico's Paintings
De Chirico's Works
De Chirico’s Paintings
De Chirico’s Works
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Della Mia
Early Avant Garde
early twentieth century art
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_non-fiction
eq_poetry
experimental poetry analysis
fair
Filippo De Pisis
Francis Picabia
Gadji Beri Bimba
Georges Braque
interdisciplinary art research
international
International Dada Fair
Language_English
les
Les Chants De Maldoror
Luc Durtains
mannequin symbolism
modernism movements
Napoleon III
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paintings
paradigm shifts in modern art and literature
pierre
Pierre Reverdy
Price_€20 to €50
PS=Active
reverdy
Sluggish Imaginations
soffici
softlaunch
Stein's Portrait
Stein’s Portrait
Umberto Boccioni
Valentine De Saint Point
visual culture studies
Young Man
Product details
- ISBN 9780367504717
- Weight: 453g
- Dimensions: 152 x 229mm
- Publication Date: 04 Mar 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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This book focuses on avant-garde literature and art in Europe and America during the first quarter of the twentieth century. It examines five movements that shaped our response to the demands of the modern age and contributed to the creation of a modern sensibility: Cubism, Futurism, the Metaphysical School, Dada, and Surrealism. Each of these arose in response to recent scientific, technological, and/or philosophical developments that drastically affected modern civilization. In turn, each was responsible for a major paradigm shift that altered the way in which we view—and respond to--the world around us. The final chapter is comparative in nature and studies the role of the mannequin in literature and art during the same period.
Willard Bohn is Distinguished Professor Emeritus of French and Comparative Literature at Illinois State University. He received his Ph. D. in French from the University of California at Berkeley and has been a visiting Research Fellow at Oxford University, the University of Cambridge,and Durham University among others. In 2005 he was elected Oliver Smithies Lecturer, Balliol College, Oxford University. An active scholar, Professor Bohn has published 158 scholarly articles and seventeen books including The Aesthetics of Visual Poetry, The Rise of Surrealism, and The Avant-Garde Imperative.
