Emergence of the Korean Art Collector and the Korean Art Market

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A01=Charlotte Horlyck
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America
art buyers
art history
art market
Asia
Author_Charlotte Horlyck
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Britain
Category1=Non-Fiction
Category=ABQ
Category=ACBP
Category=AGA
Category=GLZ
Category=GM
Category=HBJF
Category=NHF
celadon
ceramics
collecting
collectors
colonial period
COP=United Kingdom
cross-cultural art exchange
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East Asian visual culture
England
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Goryeo
Hermit Kingdom
imperialism and material culture
Korea
Koryo dynasty ceramics
Language_English
museum studies
nineteenth century
PA=Temporarily unavailable
Price_€100 and above
provenance research
PS=Active
softlaunch
transnational collecting practices
twentieth century
United Kingdom
United States
Western acquisition of Korean artefacts

Product details

  • ISBN 9780367860394
  • Weight: 740g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Articulating the shifting interests in Korean art and offering new ways of conceiving the biases that initiated and impacted its collecting, this book traces the rise of the modern Korean art market from its formative period in the 1870s through to its peak and subsequent decline in the 1930s.

The discussion centres on the collecting of Koryŏ celadon ceramics as they formed the focal point of commercial exchanges of Korean artefacts and explores how their acquisition and ownership formed part of the complex power relationship that played out between the Koreans, Japanese, Americans, and Europeans. Drawing on a wide range of primary sources, the volume analyses collectors’ acquisition practices, arguing that their fascination with ceramics from the Koryŏ kingdom (918–1392) was shaped not only by the aesthetic appeal of the objects but also by biased perceptions of the Korean peninsula, its history, and people.

The book will be of interest to scholars working in art history, social history, cultural history, Korean studies, collection studies, museum studies, Korean history, and Asian studies.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Charlotte Horlyck is Reader in Korean Art History at SOAS.

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