Enchanting Kinora

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A01=Elizabeth Evans
Age Group_Uncategorized
Age Group_Uncategorized
amateur filmmaking
archival film
Author_Elizabeth Evans
automatic-update
British cinema history
cataloguing practices
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=PDR
COP=United Kingdom
cultural history of media
Delivery_Pre-order
domestic life and media
domestic media
early cinema
early motion picture industry
Edwardian Britain
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
family films
film archives
film historiography
film preservation
film technology
home movies
Kinora
Language_English
material culture
media archaeology
media materiality
moving image history
PA=Not yet available
pre-cinema devices
Price_€50 to €100
private vs public viewing
PS=Forthcoming
Smedley Collection
softlaunch
visual culture

Product details

  • ISBN 9781839026898
  • Weight: 760g
  • Dimensions: 156 x 236mm
  • Publication Date: 20 Feb 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Marketed as more affordable and safer than film cameras, the Kinora system, launched in 1903, was one of the first amateur filmmaking devices and represents one of the earliest attempts to create a domestic market for moving images.

In The Enchanting Kinora, Elizabeth Evans examines the Kinora in its technological, industrial and socio-cultural context to explore how early attempts to domesticate moving images were configured. She closely analyses 84 previously unexamined Kinora reels, filmed using the early motion picture device between 1908-1913 and held by the Smedley Collection. These include 23 reels that were produced for public consumption and others that were meant solely for private viewing by the Smedley family. She goes on to consider the reels as material objects, examining not only their content, but also how the collection was preserved and catalogued by members of the family. Finally, she reflects on her own connection to the reels as the Smedleys’ great-granddaughter.

In doing so, Evans expands our understanding of moving images’ emergence as part of a wider network of cultural practices in Edwardian Britain that featured within domestic as well as public and professional spaces.

Elizabeth Evans is Professor of Screen Cultures at the University of Nottingham, UK. She is author of Understanding Engagement in Transmedia Culture (2020) and Transmedia Television (2011).

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