End Crowns All

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A01=Barbara Hodgdon
Abdication
Accolade
Age Group_Uncategorized
Age Group_Uncategorized
Akademgorodok
All things
Allegory
Astraea (mythology)
Author_Barbara Hodgdon
automatic-update
Bewitched
Category1=Non-Fiction
Category=DS
Category=DSGS
Comecon
COP=United States
Cost-plus contract
Costume
Courage
Cures
Cyclorama
Delivery_Pre-order
Duke of Albany
Epilogue
Epithet
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erudition
Eternal youth
Extempore
Final Blackout
Fluellen
Gloria Patri
Gloriana
Gosplan
Headway
Henriad
Henry V (play)
Henry VI
Holinshed's Chronicles
Horizontal integration
Iphigenia
John Crowne
Language_English
Legitimation
Livery
Love's Cure
Medal
Melodrama
Monsieur
Mutual assured destruction
Noh
PA=Temporarily unavailable
Part 1
Path of least resistance
Peroration
Polydore Vergil
Price_€100 and above
Proclamation
PS=Active
Rabelais and His World
Ralph Manheim
Realpolitik
Rhyme
Rhyme scheme
Ruble
Sally Beauman
Say Amen
Scenic design
Sedition
Sestet
Single combat
Sir John Oldcastle
softlaunch
Standing ovation
Stanza
Stardom
Subcontractor
Thane Gustafson
The Mask
Theatricality
Thought
Title page
Utopia
V.
Wholesaling
William Shakespeare

Product details

  • ISBN 9780691637198
  • Weight: 624g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as a form of textuality and to the intertextual relations between drama and other forms of history writing, Hodgdon situates performance as a type of new historicism and shows how theatrical productions, like critical discourse, participate in cultural work. Through a study of playtexts and selected performance texts, she negotiates between the critical and theatrical guises of Shakespeare to assess how past and present-day theatrical practice has appropriated his work to serve particular institutional and social practices. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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