End-Of-The-Century Party

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1980s
A01=Steve Redhead
Acid House
Age Group_Uncategorized
Age Group_Uncategorized
Author_Steve Redhead
automatic-update
Category1=Non-Fiction
Category=AVGP
Category=AVL
Category=JBCC1
Category=JFCA
COP=United Kingdom
Cultural Studies
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Hacienda
Jean Baudrillard
Language_English
Madchester
Manchester
PA=Available
Pop music
Post-pop
Price_€10 to €20
PS=Active
softlaunch
Youth culture

Product details

  • ISBN 9781526142757
  • Weight: 249g
  • Dimensions: 129 x 198mm
  • Publication Date: 27 Jun 2019
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity.

This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins.

Steve Redhead was Professor of Cultural Studies at Flinders University, Australia. He was a founding director of the Manchester Institute of Popular Culture. His numerous publications include Repetitive Beat Generation (2000), We Have Never Been Postmodern (2011) and Trump Studies (2018).

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