Essence of Art

Regular price €112.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
academic art debates
Age Group_Uncategorized
Age Group_Uncategorized
Animal Kingdom
automatic-update
B01=Craig Harrison
British art history
Burnt Sienna
Category1=Non-Fiction
Category=ABA
Category=ACV
Category=AFC
Category=AGA
Charles Landseer
contemporary life
COP=United Kingdom
Dangerous Error
Delivery_Pre-order
Early Italian Painters
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethical Tone
French Ultramarine
Language_English
Lord Elcho
mainstream Victorian art
Mrs Foster
National Art Training School
Natural Beauty
nineteenth-century art instruction
Numerous Portfolios
oil painting methods
PA=Temporarily unavailable
Price_€50 to €100
PS=Active
Raw Umber
Royal Academy
Royal Academy pedagogy
Sir George Beaumont
softlaunch
Sun Shine
Terms Light
Victorian artists' instructional writings
Victorian instruction
Victorian painting techniques
William Hunt
Young Man

Product details

  • ISBN 9781138342231
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

First published in 1999, this book asks what kind of advice was available to somebody wishing to embark upon oil painting in England between 1850 and 1900.

It is a fascinating collection of Victorian instruction on how and what to paint, linked to crucial advice about art, its meaning and its relation to contemporary life, given by practising artists, important and often popular in their time, but whose lectures and writings are long overdue for reappraisal: Leslie, Hamerton, O’Neil, Poynter, Watts, Leighton, Armitage, Quilter and Herkomer.

Here, beyond the familiar voices of Ruskin, Whistler and Pater, we have a whole range of experience from an age in which issues about painting were hotly debated by large numbers of people: professional artists, amateurs, critics, gallery-goers and Academy students. This anthology brings back to life the humour, seriousness, ambitions, eccentricities and controversies of people whose work shaped the nature of mainstream Victorian art.