Expressionist Turn in Art History
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€192.20
A. Smith Kimberly
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art historical methodology
Aurenhammer Hans
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B01=KimberlyA. Smith
Blaue Reiter Almanac
Burger Fritz
Category1=Non-Fiction
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Chapman Kathleen
Contemporary German Art
COP=United Kingdom
Das Konzert
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Dvor?Max
early twentieth-century aesthetics
Einstein Carl
Einstein's Book
Einstein's Writing
Einstein’s Book
Einstein’s Writing
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Express Train
expressionist art historiography scholarship
Expressionist Art History
Filippi Elena
Formprobleme Der Gotik
General Intellectual History
German Art
German art theory
Heidrich Ernst
Helena Fourment
historiography of art
Idealismus Und Realismus
Juntunen Eveliina
Language_English
Lebensreform Movement
Manuscript Illustration
Modern German Art
modernism in central Europe
Monographic Exploitation
Netherlandish Painting
Netherlandish Romanism
Oskar Kokoschka
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Passini Michela
Peri Francesco
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San Trovaso
Sensuous Constellation
softlaunch
Tintoretto's Work
Tintoretto’s Work
visual culture analysis
W. Haxthausen Charles
Wilhelm Worringer
WLfflin Heinrich
Wolfgang Amadeus Mozart
Worringer Wilhelm
Young Man
Product details
- ISBN 9781409449997
- Weight: 952g
- Dimensions: 156 x 234mm
- Publication Date: 14 Nov 2014
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ’expressionist’, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvořák, Heinrich Wölfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Kimberly A. Smith is Professor of Art History at Southwestern University, where she teaches the history of modern art.
