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Fiction of the Poet
Fiction of the Poet
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A01=Anna Elizabeth Balakian
Age Group_Uncategorized
Age Group_Uncategorized
Allegory
Ambiguity
Anecdote
Antithesis
Apocalyptic and post-apocalyptic fiction
Arthur Rimbaud
Author_Anna Elizabeth Balakian
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Category1=Non-Fiction
Category=DS
Category=DSC
Changeless (novel)
Classicism
COP=United States
Creative Writer
Criticism
D. H. Lawrence
Decadentism
Delivery_Pre-order
Descriptive poetry
Edgar Allan Poe
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Essay
Etymology
Existentialism
Ezra Pound
Fiction
Foe (novel)
Francis Jammes
French poetry
Henri Cazalis
Hyperbole
Imagism
Impermanence
Language_English
Literature
Long poem
Memoir
Metaphysical poets
Metonymy
Mimesis
Misnomer
Modern Fiction (essay)
Modernism
Mythology
Nihilism
Novelist
Oscar Wilde
Out of Darkness (novel)
PA=Temporarily unavailable
Philosophical language
Poetic diction
Poetic tradition
Poetry
Postmodernism
Price_€50 to €100
Prose
Proselytism
Proverb
PS=Active
Pseudoscience
Rainer Maria Rilke
Rhyme
Roland Barthes
Romanticism
Rosicrucianism
S. (Dorst novel)
Samuel Beckett
Scholasticism
Self-immolation
softlaunch
Superiority (short story)
Surrealism
Symbolism (arts)
Taunting
The Death of the Author
The Philosopher
The Unwritten
Trickster
W. B. Yeats
Wallace Stevens
William Shakespeare
Writing
Product details
- ISBN 9780691636658
- Weight: 454g
- Dimensions: 152 x 229mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Addressing all readers who value the beauty of language, Anna Balakian examines the work of five twentieth-century poets--Yeats, Valry, Rilke, Stevens, and Guilln--to show how the linguistic richness of the symbolist tradition continued well into the modern period. These writers, all of whom learned the poetry of language from Mallarm, compensated for the disappearance of metaphysical inclinations in early twentieth-century poetry by instituting a poetic fiction. Balakian finds the immersion of the "I" and its altered reflection in the work of art to be a common feature of their poetry, and explores how they replaced the conventional meaning of signifiers grown stale, such as the abused word "poet," which became musician, artist, dancer, acrobat, mime, tapestry weaver, rider of the earth and the skies. In the works of these poets, the symbol evolved into a selective system of communication that identified implicitly the realms of human dilemma in regard to time, space, place, and reality in an indifferent universe.
Balakian explains how the poets made language posit the major problems of existence and survival through metaphors of transition and, with the polysemy of their discourse, spoke to each reader on his or her terms. Like a serial musical composition, this literary interpretation interweaves leitmotifs from one writer to another, creating a basic cohesion while revealing variations and transformations in their poetry. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fiction of the Poet
€92.99
