Fortunes of Everyman in Twentieth-Century German Drama

Regular price €97.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Brian Murdoch
A01=Professor Brian Murdoch
Age Group_Uncategorized
Age Group_Uncategorized
Author_Brian Murdoch
Author_Professor Brian Murdoch
automatic-update
Category1=Fiction
Category=FJMS
COP=United States
Death
Delivery_Delivery within 10-20 working days
eq_isMigrated=2
eq_nobargain
Everyman
Existential Guilt
German Drama
Identity
Language_English
Morality
PA=Available
Politics
Price_€50 to €100
PS=Active
softlaunch
Twentieth Century
War

Product details

  • ISBN 9781640141179
  • Weight: 398g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jan 2022
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.
BRIAN MURDOCH is Emeritus Professor of German at Stirling University, Scotland. He is the author of many books, including titles for both Camden House and D.S. Brewer.

More from this author