Francis Effect

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A01=Tania Bruguera
A32=Matthew Jesse Jackson
A32=Nicholas Terpstra
A32=Saskia Sassen
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_Tania Bruguera
automatic-update
B01=Noah Simblist
borders
Category1=Non-Fiction
Category=AB
COP=United States
Cuba
Dallas
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essay
immigration
Language_English
New York
PA=Available
Performance art
Pope
Price_€10 to €20
PS=Active
SMU
softlaunch
transnational
Vatican City

Product details

  • ISBN 9781646051700
  • Dimensions: 139 x 215mm
  • Publication Date: 04 Aug 2022
  • Publisher: Deep Vellum Publishing
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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“The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania Bruguera

Stemming from a performance that originated at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, and Cuban immigrant to the US engaging the tension between art’s pragmatic, activist, and aesthetic possibilities.

The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vatican City citizenship to all immigrants and refugees. As a conversational, collaborative project, the resulting book mirrors Bruguera’s artistic practice with essays and conversations from the the curators and Bruguera. In addition, the book-project is embiggened by socially-engaged commissioned essays from art historian Our Literal Speed, sociologist Saskia Sassen, and historian Nicolas Terpstra.

A groundbreaking interdisciplinary discussion of borders, Pangaea, sociology, and religious studies, The Francis effect offers art as a vehicle for social change, placing this work in the context of its creative and critical reception.

Noah Simblist works as a curator, writer, and artist with a focus on art and politics, specifically the ways in which contemporary artists address history. He has contributed to Art in America, Modern Painters, Terremoto and other publications. His most recent project is Commonwealth, a multi-year project exploring the notion of the commons at the Institute for Contemporary Art at Virginia Commonwealth University in Partnership with the Philadelphia Contemporary and Beta Local in San Juan, Puerto Rico. He is also Chair of Painting + Printmaking and Associate Professor of Art at Virginia Commonwealth University.

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