Glove Thief

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1569
16th century
A01=Beth Flintoff
A01=DK
A23=Viviana Durante
Age Group_Uncategorized
Age Group_Uncategorized
Author_Beth Flintoff
Author_DK
automatic-update
B20=Viviana Durante
Category1=Non-Fiction
Category=DD
COP=United Kingdom
Delivery_Delivery within 10-20 working days
drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
female characters
historical drama
Language_English
Mary Queen of Scots
modern drama
PA=Available
plays for schools
plays for women
Price_€10 to €20
PS=Active
Queen Elizabeth I
softlaunch
stage play
Tudor England
women in history

Product details

  • ISBN 9781848426535
  • Dimensions: 129 x 198mm
  • Publication Date: 09 Nov 2017
  • Publisher: Nick Hern Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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‘They did not understand, you see, that what is stitched with a needle is not always innocent… Needles are dangerous.’

The year is 1569, and in a cold, stone room in a Staffordshire castle, a group of women sew elaborate tapestries. Rich or poor, at home or held against their will, four women’s lives intersect on the point of a needle.

Embroidery is their escape, their sanity, and their expression: of love, loss, artistry and power. For these women’s stitches have the power to change not just their own lives, but the course of English history.

Inspired by the tapestries created when Mary Queen of Scots was imprisoned by her cousin Queen Elizabeth I, The Glove Thief by Beth Flintoff is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at addressing gender imbalance in theatre, Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by young actors.

Beth Flintoff is a playwright, dramaturg and theatre director. Her plays include: A Christmas Carol (Reading Rep, 2021/22); The Ballad of Maria Marten (Stephen Joseph Theatre, Scarborough, and UK tour, 2020/21); The World We Made (Warwick Arts Centre, 2019); Rebellious Women (Attic Theatre Company, 2018, as The Rebellious Women of Wimbledon); The Glove Thief (2017, commissioned by Tonic Theatre Company as part of their Platform scheme in association with Nick Hern Books); Matilda the Empress (Reading Between the Lines, Reading, 2017); and Greenham: One Hundred Years of War and Peace (a large-scale site specific performance piece performed on Greenham Common in September 2017). She is an Associate Playwright and Young Writers Associate at the Royal Court Theatre, London. She is also an Associate Artist at Rabble Theatre Company, for whom she has written plays including Henry I, Matilda the Empress, Henry II, and The Last Abbot. Previously she was the founding Artistic Director of new-writing fringe ensemble Debut Theatre Company, and was Outreach Director at The Watermill Theatre in Berkshire. Author photo by Ian Legge

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