Great Recession in Fiction, Film, and Television

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A32=April Miller
A32=Daniel Mattingly
A32=Jesseca Cornelson
A32=Lance Rubin
A32=Maryann Erigha
A32=Rebecca Barrett-Fox
A32=Sarah Domet
A32=Sarah Hamblin
Age Group_Uncategorized
Age Group_Uncategorized
American studies
and Literature
automatic-update
B01=Daniel Mrozowski
B01=Kirk Boyle
bust culture
capitalism and culture
Category1=Non-Fiction
Category=AP
Category=ATF
Category=ATJ
Category=DSBH
Category=DSK
Category=GTC
Category=JBCC
Category=JBCT
Category=JFC
Category=JFD
Category=KCZ
Communication
COP=United States
cultural studies
Delivery_Delivery within 10-20 working days
economic meltdown
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film
film and television studies
financial crisis
Great Recession
housing bubble
Language_English
neoliberalism
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Television
work and unemployment

Product details

  • ISBN 9781498520621
  • Weight: 467g
  • Dimensions: 154 x 229mm
  • Publication Date: 26 Aug 2015
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture sheds light on how imaginary works of fiction, film, and television reflect, refract, and respond to the recessionary times specific to the twenty-first century, a sustained period of economic crisis that has earned the title the “Great Recession.” This collection takes as its focus “Bust Culture,” a concept that refers to post-crash popular culture, specifically the kind mass produced by multinational corporations in the age of media conglomeration, which is inflected by diminishment, influenced by scarcity, and infused with anxiety.

The multidisciplinary contributors collected here examine mass culture not typically included in discussions of the financial meltdown, from disaster films to reality TV hoarders, the horror genre to reactionary representations of women, Christian right radio to Batman, television characters of color to graphic novels and literary fiction. The collected essays treat our busted culture as a seismograph that registers the traumas of collapse, and locate their pop artifacts along a spectrum of ideological fantasies, social erasures, and profound fears inspired by the Great Recession. What they discover from these unlikely indicators of the recession is a mix of regressive, progressive, and bemused texts in need of critical translation.

Kirk Boyle is a visiting assistant professor in the Department of Literature and Language at the University of North Carolina Asheville.

Dan Mrozowski is a visiting assistant professor in the English Department at Trinity College in Hartford, CT, where he teaches courses in American literature, critical theory, and crime fiction.