Grotesque in Contemporary British Fiction

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A01=Robert Duggan
Age Group_Uncategorized
Age Group_Uncategorized
Angela Carter
artistic mode
Author_Robert Duggan
automatic-update
British fiction
British grotesque
British literature
Category1=Non-Fiction
Category=DS
Category=DSA
Category=DSBH
Category=DSK
contemporary British writing
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European literary tradition
hallucinating characters
Iain Banks
Ian McEwan
Language_English
Martin Amis
monstrous metamorphoses
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Toby Litt
Will Self

Product details

  • ISBN 9781526127174
  • Weight: 336g
  • Dimensions: 138 x 216mm
  • Publication Date: 26 Jun 2020
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The grotesque in contemporary British fiction reveals the extent to which the grotesque endures as a dominant artistic mode in British fiction and presents a new way of understanding six authors who have been at the forefront of British literature over the past four decades.

Starting with a sophisticated exploration of the historical development of the grotesque in literature, the book outlines the aesthetic trajectories of Angela Carter, Martin Amis, Ian McEwan, Iain Banks, Will Self and Toby Litt and offers detailed critical readings of key works of modern fiction including The Bloody Chamber (1979), Money (1984), The Child in Time (1987), The Wasp Factory (1984), Great Apes (1997) and Ghost Story (2004). The book shows how the grotesque continues to be a powerful force in contemporary writing and provides an illuminating picture of often controversial aspects of recent fiction.

Robert Duggan is Senior Lecturer in Modern and Contemporary Literature at the University of Central Lancashire

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